From the 130 N Franklin thread:
Quote:
Originally Posted by LouisVanDerWright
But that's literally the same logic for Wanda, Gang herself made no secret that a huge part of the design was trying to create more views (or "a bit of delight" as you put it) for the residents. She just started with a shape and decided to create a more geometric version of what K+S is doing here.
Both towers are sculptural and don't rely on form follows function, that's where architecture is at these days. I just see your response as "Wanda is too abstract, but not abstract enough".
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Lou, 'delight' is not the same as 'views'... I think we have pretty much all established that the 'view' justification is total BS, as is many other justifications... (and I don't think the frustums are imparting much delight to the interiors of this tower)...
K+S is saying only that they are, in fact, making sculpture and a fairly decent job of it with an otherwise pretty dumb program that doesn't ask too much...
Gang is not saying that she is making sculpture, and, if she was, it is having a somewhat detrimental effect on the cost/function/context of the project, unlike 130 N Franklin...
I thought that this was beginning to sink in with you...
I think it is important to discuss form-making by our architects on these threads, hold them to high standards, and, as someone already pointed out,
it would be kinda hard for any decent architect not to create something spectacular at 1200’ at this site with two roads going through it...
in most design schools, any critic and any student who justifies their design solely because they 'like it' will be crucified and for good reason...
design can be subjective, so in order to discuss it rationally with a student or critic or an architect, one has to explain the polemics behind it, otherwise it would be like arguing that my favorite color green is vastly superior to your favorite color blue...
so that is why in an earlier post I attempted to explain why all of the other great Chicago towers look the way they do...
that doesn't mean that form follows function will always result, or even be biased toward conventional forms...
a more recent local example is the Roosevelt U tower whose form was derived from the programmatic function of requiring common lounges every so many floors and a response to its' specific site (generating the black precast portions)...
as I mentioned before, OMA's work, most of which is comprised of
highly unique forms, are usually a direct result of the function of the building and a
direct representation of its' structural solution...
I like Gang's '2nd vocabulary' as a way to respond to context... now if only the overall form (arbitrarily selected frustums) and cladding (the gradients in tint) had a legitimate justification rather than 'I think my favorite color, green (or blue, or pink, or whatever), is cool!', then maybe they would appear more organic, and intrinsic to the design of a beautiful tower...