Quote:
Originally Posted by maccoinnich
I understand the desire to make every building look different, but no one is ever going to mistake this for a development that has occurred organically over time. They've created a really strong urban form with a square oriented on two axes, and they therefore need a language that's reads consistently around it. If we look at the great European civic squares (Places des Vosges in Paris, Charlotte Square in Edinburgh, Plaza Mayor in Madrid, the rebuilt Pariser Platz in Berlin, Piazza del Campo in Siena) there is a consistent form and materiality all the around the square. Not every building is necessarily the same, but they do read as a whole.
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Then again, we only need to look as far as Riverplace for an example of a development that reads tacky and theme-parkish because of the lack of variety or creativity in its design language. I appreciate the way you've chosen to think about this, but I think baroque city planning is the wrong context for a new development in the Lloyd District. And the example you've cited that isn't baroque, Piazza del Campo, is beautiful precisely because it's neither regular nor standardized. Just because this one hasn't 'occurred organically over time' doesn't mean it can't benefit from a varied design palate -- just like Canary Wharf in London, Potsdamer Platz in Berlin, or any of the squares/parks in the Pearl District.
The point of this design is to break out of the gridded monotony of the Lloyd District megablocks. There
is, however, a cohesiveness to the architectural language in that every building is oriented toward the square, creating an enclosed, welcoming and accessible space. That's the sort of consistency that's necessary to make this work.
[Edit:] I do share the worry that the plaza as proposed is just too damn big. If I were designing this, it would be smaller (perhaps broken up into multiple courtyards, like Berlin's Hackesche Höfe) and roofed in glass, like the Sony Center in Potsdamer Platz. Why, with Portland's climate during eight months of the year, does it
still not have any great glass-enclosed semi-outdoor public spaces, unless you count the passenger drop-off zone in the airport (which, of course, is not for lingering) or the canopy in Director's Park (which shelters only a handful of tables). A space like this, removed from the street, enclosed by buildings and sheltered from the wind, would be perfect for one.