Douglas Todd: Are iconic buildings good or bad for Vancouver?
Opinion: Iconicism, once found in buildings that celebrated community, now more a feature of ‘hey, look at me’ marketing
DOUGLAS TODD Updated: August 22, 2019
The twisting 59-storey tower rising up next to Vancouver’s Granville Street Bridge — designed to look like it’s about to fall over — is what some call an “iconic” building.
Created by edgy Danish architect Bjarke Engels, the nearly finished luxury condominium and office tower stands out among downtown’s congested skyline of highrises, drawing debate and enticing buyers from around the world.
“Vancouver House” seems to be coming out of a tradition of historic, iconic architecture, which has given us the Taj Mahal in India, St Paul’s Cathedral in London and the Eiffel Tower in Paris.
You could also see more recent spectacular edifices as iconic, such as Singapore’s criss-cross “Chain Structure” apartments, Seville’s crustacean-like arts and science centre and Poland’s weirdly wavey “Drunk Hotel.” Not to mention Toronto’s once-avant-garde city hall.
What does it mean to be iconic? As Ray Spaxman, former chief planner for the City of Vancouver, tries to explain: “You either try to be iconic because you want to stand out, or you are iconic because you stand out.”
As chief of Vancouver’s planning department from 1973 to 1989, Spaxman ranks the white sailed roofs of Vancouver’s original waterfront convention centre belonging to the tradition of iconicism, in part because the sails have come to symbolize the city in a few million visitors’ photos.
Spaxman, 85, also puts in a word for the possibly iconic status of the main Vancouver Public Library (despite the way it looks Roman) and the Lions Gate Bridge, built in 1937.
The trouble these days, Spaxman said, is a lot of real-estate developers want their buildings, especially their high-rise condominium towers, to stand out mainly so they can better market them, particularly to wealthy people in foreign lands.
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