Posted Oct 25, 2018, 6:21 PM
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Registered Ugly
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Join Date: Oct 2003
Location: Portland
Posts: 3,644
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Some background on the Wells Fargo renovation and interview with the newly Portland-based West of West.
Quote:
A post-Morphosis metamorphosis: West of West and the Wells Fargo Center renovation
BY BRIAN LIBBY
Last month, the City of Portland’s Design Commission approved a series of alterations to the Wells Fargo Center, Portland’s tallest building. Dating to 1972 and designed by Charles Luckman, the building—originally known as the First National Bank Tower—has long symbolized both the ambition of midcentury modern commercial architecture in the United States as well as the folly of its fortress-like approach to urbanism.
After the 40-story building was completed, it prompted our city to enact height restrictions. For some, this was a kind of alien spaceship that had landed: out of scale with the rest of the urban fabric and, in its unapologetic International Style heroism, possessing no sense of local architectural vernacular. Yet with the elegance of its marble cladding contrasting dark window frames, and the slender sculptural quality that comes from being a taller skyscraper, there is a kind of austere beauty to the Wells Fargo Center. Whether you love it, hate it, or feel indifferent, it’s a major component in our downtown skyline.
That the Wells Fargo Center and its accompanying five-story data processing center building across the street (connected by a sky bridge) are being renovated to be more pedestrian friendly and full of light is not a surprise. After all, the building was sold last year, and the new operators see the value in modernizing the building to be more welcoming at street level as well as inside.
Though the materials and forms of this building are compelling, it had its critics from the start, especially the nation's top critic of that time, Ada Louise Huxtable of The New York Times. “This tower will be tapered and rail-finned, with an accessory block-square box, in a manner that finally died unmourned in Detroit but that the Southern California sun seems to keep alive," Huxtable wrote of the Wells Fargo Center after visiting Portland. "In style, scale and impact it will be alien corn, in every sense of the word."
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Continues at Portland Architecture
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