Quote:
Originally Posted by pilsenarch
^The total hate on precast is without foundation. This city is chock full of precast clad buildings that are performing fine, designed in both contemporary and pomo vocabularies.
Meanwhile, it would be very difficult to identify a traditional building clad in stone that hasn't had to undergo significant and costly maintenance to preserve its facade.
and, as has been mentioned, Stern does not control the budget... I'm sure he would be delighted to detail the entire building using 4" thick limestone... the craftsmen/technology does exist, it's the money that is the only issue...
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I get what you're saying here, and I'm inclined to agree to an extent . It brings me back to a point I've made before. Some folks here seem to almost be implying that Stern's awfulness as a designer - and the coming atrocity (hypersensitive pomo-sympathizing forummers - start your moaning now!) of 451 Grand - comes down completely to him being an enthusiastic designer of precast towers, and 451 itself being precast schlock. To this I say - really? Look at the overall composition of the tower, it's awkwardness, it's strange transitions it's mishmash of hacked-up vaguely nostalgic-feeling neo-deco/pomo/new-classicist/poo-poo historicist 'styling'. It just looks bad - from a distance, you won't be able to tell if it's stone or precast, yet you'll be able to tell that it's a Robert AM Lagrange turd tower.
Think about NBC Tower again - and I'm glad you brought this one up again, LVDW. Adrian Smith is one of those very rare designers who could (in a previous life, mind you) do aesthetically passable pomo (during the period of pomo, when it was a 'valid' movement, in other words, now it's just part of architectural history, RAM Lagrange has yet to get that particular memo!). It is most certainly not just because there's a stone veneer on the facade! It's because the overall form, composition, massing, etc etc etc work - because Smith is a very talented designer. Does anybody here think that Stern is remotely talented enough to have designed something in his bs nostalgic/sentimental/neo-historicist vocabulary as high-quality, as pleasing aesthetically (regardless of details of actual facade cladding) as NBC Tower??
Of course not!! Because he's just a design hack. He doesn't understand how to compose buildings - particularly tall buildings, but buildings in general.......the buildings he craps out are as clumsy as you'll find today, as far as high-profile towers in the early 21st century......