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  #1  
Old Posted Dec 22, 2006, 7:25 PM
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Historicism or Contemporary Architecture?

I am part of organizing a symposium in Calgary surrounding the topic of historicism and what the architectural response should be when building new buildings in districts that have heritage buildings. We are looking for people both in favour of mimicking older architectural styles in new buildings in these districts, and people who advocate contemporary buildings that reflect their time.

Do you guys know of some architects that may have a strong opinion one way or another? People who are outspoken on either side of the debate?

Please let me know. Feel free to debate the topic too.

Title: Back to the Future: Faux History and Contemporary Buildings in the Beltline.

Here is the topic question:
What is the Topic: The topic of this year's Beltline Urban Forum is architecture and heritage. During this extraordinary boom in the Beltline community we have witnessed a number of architectural responses to the historic context that range from brilliant to just plain bad. The debate about what to build around older buildings became a loud and often adversarial clamour when the Mount Royal Block on 17th avenue was proposed. A poorly executed modernist box was rejected by the community as insensitive to its surroundings and gave way to what some believe is a kitschy replication of styles past. The question then arises, what should be the architectural response when designing new projects amongst valued heritage buildings?

Mount Royal Block:

Last edited by Wooster; Dec 22, 2006 at 7:31 PM.
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  #2  
Old Posted Dec 22, 2006, 7:48 PM
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Unfortunately the architecture community has very different ideas than the general population. This is usually related to the idea that architecture is about architects and statements, and less about making places that people like.
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  #3  
Old Posted Dec 22, 2006, 7:53 PM
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Unfortunately the architecture community has very different ideas than the general population. This is usually related to the idea that architecture is about architects and statements, and less about making places that people like.
that's becuase people are generally stupid, and it's up to architects to force the ignorant masses into liking what is good.

people love the familiar; the new presents a challenge that upsets and frightens far too many within our species.
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Last edited by Steely Dan; Dec 22, 2006 at 9:08 PM.
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  #4  
Old Posted Dec 24, 2006, 8:16 AM
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people love the familiar; the new presents a challenge that upsets and frightens far too many within our species.
doesn't that pretty much apply to all aspect of life and not just buildings?
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  #5  
Old Posted Dec 22, 2006, 7:53 PM
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I should make a note here. This is what we get when Calgary architects go to the other end of the spectrum...

Citadel West


And how that Mount Royal Equities building (that Josh posted) is turning out
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  #6  
Old Posted Dec 22, 2006, 8:51 PM
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I have never been a supporter of retro or revivolist architecture. Buildings should be expresions of contemporary design. There is nothing worse than looking at a 21st century commercial building and guessing when it was built because it blends into everything else older around it. Can you imagine if Mies would have followed this axium? The only allowable exception in my mind would be in narrowly defined architectual historic districts where you would want all buildings to reflect the period.
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  #7  
Old Posted Dec 27, 2006, 1:20 AM
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Originally Posted by X-fib View Post
I have never been a supporter of retro or revivolist architecture. Buildings should be expresions of contemporary design. There is nothing worse than looking at a 21st century commercial building and guessing when it was built because it blends into everything else older around it. Can you imagine if Mies would have followed this axium? The only allowable exception in my mind would be in narrowly defined architectual historic districts where you would want all buildings to reflect the period.
I don't agree with this. Buildings should be expressions of whatever the hell the architect wants rather than conform to certain ideas. The general public often complains when a more daring project gets proposed in a historical area especially, how is that any more or less wrong than proposing a revivalist building in a district with only modern buildings?
What about all the romanesque churches or neo-classical buildings, aren't they revivalist buildings, yet I never hear anyone complaining about those
Sure a major problem with such buildings nowadays is the possibility of using cheap materials. There's nothing worse than seeing a cheap building trying to mimmick historic buildings but that doesn't mean the whole concept has to be ditched just because of that, even though some of the best loved buildings in the world are revivalist. It all boils down to good design vs bad design, as with any modern building.

Anyway I say fuck the trends, architecture should have no bounds
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  #8  
Old Posted Dec 27, 2006, 9:46 PM
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Originally Posted by malec View Post
I don't agree with this. Buildings should be expressions of whatever the hell the architect wants rather than conform to certain ideas. The general public often complains when a more daring project gets proposed in a historical area especially, how is that any more or less wrong than proposing a revivalist building in a district with only modern buildings?
What about all the romanesque churches or neo-classical buildings, aren't they revivalist buildings, yet I never hear anyone complaining about those
Sure a major problem with such buildings nowadays is the possibility of using cheap materials. There's nothing worse than seeing a cheap building trying to mimmick historic buildings but that doesn't mean the whole concept has to be ditched just because of that, even though some of the best loved buildings in the world are revivalist. It all boils down to good design vs bad design, as with any modern building.

Anyway I say fuck the trends, architecture should have no bounds
Well I guess we agree to disagree. My perspective comes as a historian who grew up in a Chicago built under the principles of some of the finist buildings and modern architectual traditions in the world. The 1893 Columbian Exposition was heavilly criticized as a set back to the modern movement because it was revivalist. Architects of Gothic cathedrals didn't built Roman temples, and neither should we build either today. Past traditions had their moment in culture and time. When modern architects present a design that is a throw back to some past style it says to me that they are incapable of originallity. Architecture says who we are as a people and is the greatest expression of our place in history.

My adopted home town has a National Historic (Architectual) District consisting mostly of 19th century Italianate, Victorian and other period architecture. This thread posed a question: Within this district could a modern design fit? I think the answer is yes, and without producing a 21st century copy of a Queen Anne. Historicism should not betry the present.

Last edited by X-fib; Dec 28, 2006 at 6:20 PM.
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  #9  
Old Posted Dec 23, 2006, 2:35 AM
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I personally think 'historicism' works best when it's not a reiteration of previous trends (ie, Notre Dame school) but when modern design and detail is applied to classical, 'historic' form and order. It can really work nicely.
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  #10  
Old Posted Dec 23, 2006, 4:35 AM
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I personally think 'historicism' works best when it's not a reiteration of previous trends (ie, Notre Dame school) but when modern design and detail is applied to classical, 'historic' form and order. It can really work nicely.
I agree. One of my favorites is Comerica Tower (One Detroit Center) which takes a modern skyscraper mass and adds historic motiffs. It's historic-styled, but not overly contrived.
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  #11  
Old Posted Dec 23, 2006, 5:54 AM
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First I'll say that I tend towards the historicist side of the equation.

My problem with "contemporary" buildings is that most are made to be nothing more than contemporary -- they're designed to almost need a re-skinning some 20+ years down the road. It's not so much a function of the architects as it is the demands of the client, but the architects are still a part of it. There are so many buildings that appear to take a risk or two that no more than ten years down the road look simply mundane, and as a result I tend to roll my eyes at a lot of new buildings going up - almost a "guilty until proven innocent" mentality I have.

We know classical form doesn't age, so I find it hard to look past the common-sensical themes it embodies like scale and harmony while all the starchitects visually seem to go on about how jagged angles somehow reflects the time we live in. No, they're just anarchists. Turmoil and strife is as old as the human race.. no need to revel in it as if it's worthy of being some novelty "look at me" structure.
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  #12  
Old Posted Dec 25, 2006, 9:13 PM
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Originally Posted by CGII View Post
I personally think 'historicism' works best when it's not a reiteration of previous trends (ie, Notre Dame school) but when modern design and detail is applied to classical, 'historic' form and order. It can really work nicely.
yup. Great Britain is filled with buildings like these...shapes like the 19th century, materials of the 21st. the results are great...much better than "fake old buildings."

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  #13  
Old Posted Dec 23, 2006, 4:30 AM
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Oh Josh, we are going to have to sit down and have a good chat about this one over drinks. Maybe tonight if I can make it down after work.
My opinion is that architecture should be of it's time, representative of the current state of the art. I loathe revivalist architecture.
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  #14  
Old Posted Dec 23, 2006, 10:13 AM
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Oh Josh, we are going to have to sit down and have a good chat about this one over drinks. Maybe tonight if I can make it down after work.
My opinion is that architecture should be of it's time, representative of the current state of the art. I loathe revivalist architecture.
me too. Mount Royal Block is an embarassment.
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  #15  
Old Posted Dec 23, 2006, 11:20 AM
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Economic reasons makes historicism very expensive at present day
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  #16  
Old Posted Dec 23, 2006, 5:11 PM
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It's clear we're not going to solve this "problem" anytime soon. I generally favor contemporary over historicist, but I've seen enough good examples of the latter not to make an absolute argument against it.

There are a couple of issues, however. Can the historicist design be built with adequate and appropriate materials? The "faux" part really rankles when you see something done cheaply or with poor ornamentation. This explains, in large part, why we hate McMansions. They're usually not up to their own ambitions. We think - maybe unconsciously - that "nouveaux riches" live there. It's something like the art you see in La Jolla galleries: very traditional and yet utterly devoid of conviction.

Does the design itself have internal consistency? If not, it's because some necessary "rules" haven't been followed. Proper massing and proportion cannot be faked. Pelli understands these rules very well, which explains his popularity. During our Post-Modern phase 20 years ago, architects were having a more difficult time.

A mix of contemporary and historical works in most cities, although it helps if their scales are roughly equal. To see the eye-ravishing townhouses in Chicago's Gold Coast butt up against a 70s apartment tower is rather unsettling.

Bottom line: if you're going to do historicist: have the courage to spend the necessary money. If you cheat, people will notice.
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  #17  
Old Posted Dec 25, 2006, 4:48 AM
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Bottom line: if you're going to do historicist: have the courage to spend the necessary money. If you cheat, people will notice.
I think a successful, and obvious, example of this is the latest addition to the Mother Church of Scientology in Boston. They had created/refurbished this wing of a building a few years back and I recall wondering in amazement of how any organization could possibly afford such a true and high-quality representation of a long dead architecural practice in this day in age. I'm not talking about the actual "Mother Church" (I believe it's what the building is), because that is a cross between about a half dozen styles, though still absolutely gorgeous. This building seems to serve as one of their educational areas. Man, it's been over two years so perhaps some of our Bostonian forumers can remind us.
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  #18  
Old Posted Dec 25, 2006, 6:29 AM
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First, it's not Scientology, L. Ron Hubbard's goofy religion that South Park makes tons of fun of, but Christian Science, founded by Mary Baker Eddy, an entirely different organization that still shares a common belief against psyschology and the like. They are the religion/organization that produces the excellent Christian Science Monitor.

Anyway, I think you, Altauria, are referring to the half-circle west portico thingy they added to the Mother Church back in the late 70s, after the whole Pei reflecting pool/tower/collonade was added, to which I can only agree that it was a high-quality and completely harmonious addition to the 1906 structure. Well, that or the new glass-wall addition to the Mary Baker Eddy library on Mass Ave just north of the Mother Church. Yes/no?
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  #19  
Old Posted Dec 25, 2006, 6:35 AM
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Oh, and josh white, you have the best avatar.. EVAR!! ..Bob Ross rules.
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  #20  
Old Posted Dec 25, 2006, 5:14 PM
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First, it's not Scientology, L. Ron Hubbard's goofy religion that South Park makes tons of fun of, but Christian Science, founded by Mary Baker Eddy, an entirely different organization that still shares a common belief against psyschology and the like. They are the religion/organization that produces the excellent Christian Science Monitor.

Anyway, I think you, Altauria, are referring to the half-circle west portico thingy they added to the Mother Church back in the late 70s, after the whole Pei reflecting pool/tower/collonade was added, to which I can only agree that it was a high-quality and completely harmonious addition to the 1906 structure. Well, that or the new glass-wall addition to the Mary Baker Eddy library on Mass Ave just north of the Mother Church. Yes/no?
Wow, I apologize for my ignorance, but I thought they were the same organization. That's somewhat embarrassing.

And now that you reminded me, yes it was the glass wall addition to the Mary Baker Eddy Library. If I remember correctly, as I had moved there right at the time they started to create the facade (2001), they were reconstructing that portion of the building. I could tell it was part of an already existing, and older, building, however it was hard to tell if they were simply building AROUND already existing romanesque architectural pieces, or they were mimicing the eastern portion of the Library. Sometimes memory only comes back in chunks at a time. If they were building around previously existing walls, then my argument is for naught. It's still a gorgeous building nevertheless.
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