Quote:
Originally Posted by davidcappi
Not exactly ^
They would rather an old building gets restored in place or is added on to instead of being demolished and reconstructed or recreated. The city can't legislate architectural design quite to the point where someone couldn't build a new-traditional building if they wanted to. We just don't see many great examples of developers doing it since it's not very popular here. They have a rule for the first 3-6 stories along historic streets where the facade needs to be a certain percentage of solid material with punched windows to evoke the older street wall, but that can be interpreted in both modern and traditional ways.
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They have stated however that going forward they want buildings that reflect a modern take - I do believe one of the city planners said that in a video - so while no they aren't going to turn down a restoration that is traditional or a modern building with traditional accents, they will probably not be allowing any new stone and brick rowhouses that reflect the old design being built.
That and a lot of those no longer match code with elements of the original being grandfathered in.
One thing I hate about these new builds are the ventilation being stuck in ugly places on the front of the building. Would it kill them to incorporate these into design elements of the facade, or to put them on the sides? The original renders never show them, and thus they just look shoddy afterwards.
They often look like an afterthought - where the architect designs the building all nice and pretty and then the architectural technologist ruins reality by punching in all the ventilation where it needs to go, and it doesn't fit into the pretty render nicely because it is reflective on the internal structure and where it fits that properly instead of the outward appearance. I just think both these steps should be done together.
Take for example the small vents on the left side of the building - they appear to be situated over the right side of the narrow windows - instead of situated at opposite sides of the overall window structure - where symmetry would look more pleasing to the eye than one being at the edge of the column and the other one further in.