Quote:
Originally Posted by Nowhereman1280
I'd be careful with that statement. Some of the best architecture has just said "fuck you" to every other building around it... JHC???
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No, I entirely disagree with your assessment. There is a massive difference between what is architecturally "respectful" and what a NIMBY thinks is respectful. Respectful does not mean copying something in style or in any other attribute.
Believe me, good architects spend
a lot of time thinking about this.
JHC or the Seagram building were far more respectful to their surroundings than many other additions to their respective boulevards since then. Both of the architects were extremely careful about what they were doing. This is not the thread to discuss this, but I stand behind what I wrote. Unfortunately, those not trained in architecture think the success of these buildings is carte-blanche evidence that you can do absolutely anything anywhere and people will just "learn to live with it," but to think this misses the entire essence and greatness of those buildings.
Last, even if there was anything perceived as disrespectful about my two examples, they won with fabulous architecture. If you are going to try to insert something confrontational in any regard, your building had better be top-notch.
Tell me, when considering Daley Plaza as a whole, how does this succession make any sense to you: Picasso, Miro ... Television. Or, how about this one: Holarbird and Roche, D.H. Burnham, CF Murphy ... Television.
The television is the loudest, most distracting element in the whole scene, and yet it is the least refined and the least elegant. It lowers the IQ of the whole plaza and interferes with one's appreciation of the rest of the space.
Some people like to smoke while they eat, some people like to smoke in bed... but when you smoke around me, I have no choice but to breathe it. Did you notice how much harder it is to focus on the words I wrote with those dancing icons? The television is exactly the same.