Quote:
Originally Posted by Ch.G, Ch.G
I despise the way some people try to turn topics like this into an issue of cultural relativism.
It's not.
Most of the "Western critics" are just as appalled by similarly postmodern architecture derived from European sources. Just take a look at the comments in the Elysian thread.
Bad design is universal. This design is universally bad.
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How could "bad design" honestly be universal? When we criticize a lot of 1960s architecture as being boring and cubist we're talking about something that was once considered beautiful - and how many ornate historic mid-rises across the world that we consider rare jewels today were buldozed in that era because they were considered ugly?
The fact that our tastes in fashion and architecture evolve through time is proof that there is no universal standard. It's relative
even within our own fluid cultures so it's got to be relative globally.
There are very fair ways to criticize foreign architecture. I'm not denying that. And I'm also not denying that Middle Eastern supertalls are popping up at such a rapid pace that each one
seems to diminish in importance, as well as the amount of architectural attention paid to each one - they seem to be treating supertalls like they're ordinary mid-rises. (Emphasis on "seems," because I'm viewing this through my own cultural lens so I could be totally off.) If a mid-rise goes up in one of our cities or towns its given less attention therefore we don't anticipate or expect it to be outstanding, and most of them would be considered "ugly" if they were stretched out to be 1500 feet tall without millions of extra dollars in drawing-board work to make sure they are cohesive and attractive.
But there is also this persistent criticism I see of Middle Eastern buildings saying "they look like they belong in Las Vegas" as a criticism. It makes sense that they look like Las Vegas, because if/when Las Vegas builds a middle-eastern themed hotel/resort they naturally appropriate Arabic style architecture in a Western-skyscraper format. And when supertalls go up in the Arabic context they also use traditional regional architecture and put it in a Western-skyscraper format. The fact that they look same is logical and doesn't automatically make Middle Eastern buildings kistchy.
It might just be that modern Arabic architecture is, as a whole, using cultural ideals of taste that Americans and Europeans just don't connect with or find jarring. Take architectural themes from an ancient Hindu temple or Buddhist stupa, morph them into skyscrapers and see if we all don't have the exact same "huh?" response.
Do I know enough about that to write a thesis on it? No. Which is why I just posted it informally in a skyscraper forum as an observation.