Top architects present designs for Abu Dhabi museums
Posted: Wednesday, January 31, 2007
Abu Dhabi - Four of the world’s most renowned architects have presented designs for iconic museums and a performing arts centre in Abu Dhabi.
The architects – Frank Gehry, Jean Nouvel, Tadao Ando and Zaha Hadid– were commissioned by Abu Dhabi’s Tourism Development & Investment Company (TDIC).
The centre will position the UAE capital’s Saadiyat Island, that lies just offshore the emirate, as a world-class cultural destination.
A special exhibition devoted to the concept designs of the projects, complete with building models, was opened today at the prestigious Emirates Palace Hotel in Abu Dhabi by Sheikh Mohammed Bin Zayed Al Nahyan, Crown Prince of Abu Dhabi and Executive Council chairman.
“Saadiyat Island demonstrates the vision of His Highness Sheikh Khalifa Bin Zayed Al Nahyan, President of the United Arab Emirates and Ruler of Abu Dhabi, to further establish Abu Dhabi’s position as a destination of international standing,” said Sheikh Mohammed.
“The aim of Saadiyat Island must be to create a cultural asset for the world. A gateway and beacon for cultural experience and exchange. Culture crosses all boundaries and therefore Saadiyat will belong to the people of the UAE, the greater Middle East and the world at large,” he added.
In addition to the museums and a performing arts centre for which concept designs have been presented, Saadiyat Island’s Cultural District will also feature the Sheikh Zayed National Museum – a museum devoted to the history and traditions of Abu Dhabi and the legacy of the emirate’s much-admired late ruler His Highness Sheikh Zayed Bin Sultan Al Nahyan, who was also the first President of the United Arab Emirates and often referred to as ‘The Father Of The Nation.’
“It is our intention to shortly embark on an international competition for the design of the Sheikh Zayed National Museum which reflects the importance and centrality we place on this facility,” explained Sheikh Sultan Bin Tahnoon Al Nahyan, chairman of Abu Dhabi Tourism Authority (ADTA) and TDIC.
“This museum will pay tribute to our grandfathers and ancestors who left a wealth of cultural heritage that we are proud of. Within the Sheikh Zayed National Museum we shall conserve this heritage and build on it, as it is the soul of this land and its future generations.”
All four architects are international award-winners with three being holders of the coveted Pritzker Prize – the highest honour within the architectural discipline.
Frank Gehry is designing the Guggenheim Abu Dhabi – a contemporary art museum, which will be the only one of its kind in the Middle East; the British/Iraqi born architect Zaha Hadid is designing Saadiyat’s Performing Arts Centre, which will present the finest in music, theatre and dance, Jean Nouvel of France is designing the Classical Museum, while Japan’s Tadao Ando is designing the Maritime Museum which will reflect the rich maritime history of the UAE and the Arabian Gulf.
The Gehry concept for the Guggenheim Abu Dhabi Museum, which at 320,000 sq ft will be the world’s largest Guggenheim museum, is designed around accommodating approximately 130,000 sq ft of exhibition space. It will feature permanent collections, galleries for special exhibitions, a centre for art and technology, a children’s art education facility, archives, library and research centre and a state-of-the-art conservation laboratory.
“Approaching the design of the museum for Abu Dhabi made it possible to consider options for design of a building that would not be possible in the United States or in Europe,” said Gehry. “It was clear from the beginning that this had to be a new invention. The landscape, the opportunity, the requirement, to build something that people all over the world would come to and the possible resource to accomplish it opened tracks that were not likely to be considered anywhere else. The site itself, virtually on the water or close to the water on all sides, in a desert landscape with the beautiful sea and the light quality of the place suggested some of the direction.”
In the Gehry design, four storeys of central core galleries are laid out around a courtyard. “These will be more classical contemporary galleries, completely air conditioned with skylights where possible and a sophisticated lighting system,” said Gehry. Two more rings of galleries span out from the core.
“The third ring is for larger galleries, built more like raw industrial space with exposed lighting and systems. They would be less finished. These galleries will be attractive as spawning homes for a new scale of contemporary art - art that would be, perhaps, made on site and of a scale that could not be achieved in the normally organised museums around the world.”
In Hadid’s Performing Arts Centre concept, a 62-m-high building is proposed housing five theatres – a music hall, concert hall, opera house, drama theatre and a flexible theatre with a combined seating capacity for 6,300 – that’s 1,100 more than London’s Royal Albert Hall. The centre may also house an Academy of Performing Arts.
“As it winds through the site, the architecture increases in complexity, building up height and depth and achieving multiple summits in the bodies housing the performance spaces, which spring from the structure like fruits on a vine and face westward, toward the water,” explained Hadid.
“The building becomes part of an inclining ensemble of structures that stretch from the Maritime Museum at its southern end to the Guggenheim Abu Dhabi at the northern tip. With its centre of mass at the water’s edge, the Performing Arts Centre focuses its volume along the central axis of the site. This arrangement interrupts the block matrix at the Arterial Road, opening views to the sea and the skyline of Abu Dhabi.
“The concert hall is above the lower four theatres, allowing daylight into its interior and dramatic views of the sea and city skyline from the huge window behind the stage. Local lobbies for each theatre are orientated towards the sea to give each visitor a constant visual contact with their surroundings.”
Nouvel’s design concept for the Classical Museum owes much to Saadiyat’s natural surroundings.
“The island offers a harsh landscape, tempered by its meeting with the channel, a striking image of the aridity of the earth versus the fluidity of the waters,” said Nouvel. “These fired the imagination towards unknown cities buried deep into the sands or sunk under water. These dreamy thoughts have merged into a simple plan of an archaeological field revived as a small city, a cluster of nearly one-row buildings along a leisurely promenade.
“This micro-city requires a micro-climate that would give the visitor a feeling of entering a different world. The building is covered with a large dome, a form common to all civilisations. This one is made of a web of different patterns interlaced into a translucent ceiling which lets a diffuse, magical light come through in the best tradition of great Arabian architecture. Water is given a crucial role, both in reflecting every part of the building and acting as a psyche, and in creating, with a little help from the wind, a comfortable micro-climate.”
Ando’s Maritime Museum concept takes its inspiration from Abu Dhabi’s natural surroundings, landscape and maritime traditions. It has a reflective surface visually merging sea and land. Its ship-like interior has floating decks which guide visitors through the exhibition space.
“Dhows float over the voids of the interior space and help create an intense visual experience by relating objects to one another and to the museum architecture as a whole,” explained Ando. “Below ground, there is a second space – a reception hall with an enormous aquarium. A traditional dhow floats over the aquarium and is seen from different perspectives.
“In order to emphasise the simple, but powerful, shape of the building, the surrounding landscape is organised in grid form. Rows of trees line the forecourt of the site, creating an oasis-like border that allows visitors to transition gradually between the dynamic city and the more serene and contemplative space of the museum.”
One of the world’s most experienced museum consultants, Lord Cultural Resources, has been appointed to plan content and operational matters for the Sheikh Zayed National Museum and the Maritime Museum.
The USA-headquartered award-winning architecture, urban design, engineering and interiors firm Skidmore, Owings & Merrill LLP (SOM) has created the final master plan for the Cultural District.
Saadiyat Island’s Cultural District – one of six distinct districts master planned for the signature destination – will also feature a Biennale Park and 19 international pavilions which will be criss-crossed by a 1.5 km long navigable canal. The 19 pavilions, which will host a range of art and cultural events and activities, will be designed by some of today’s leading architects. These include UAE’s Khalid Alnajjar Russia’s Yuri Avvakumov, the USA’s Greg Lynn whom Forbes Magazine named one of the 10 most influential living architects, New York’s Hani Rashid, the UK’s David Adjaye, China’s Pei-Zhu and Korea’s Seung H-Sang.
“It is also our long-term ambition to develop a creative campus of graduate schools in the fine arts within Saadiyat Island’s Cultural District,” said Sheikh Sultan. “These will be devoted to art, architecture, music and drama. Special attention will also be given to developing educational outreach programmes for the youth of the entire Gulf region.”
Sheikh Sultan added that the Saadiyat Cultural District will act as a “bridge crossing a cultural divide” providing a captivating mix of Arab and Western cultures.
“The contemporary programmes in the Saadiyat Island Cultural District in both the visual and performing arts must be grounded in the cultural traditions of the Middle East as well as the world at large,” he said.
The museums on Saadiyat Island’s Cultural District are scheduled to open under a phased programme starting in 2012. “The development of Saadiyat Island will progress at a considered pace which acknowledges our national environment, heritage and culture,” added Sheikh Sultan.
The Saadiyat Island Cultural District exhibition will be at the Emirates Palace Hotel in Abu Dhabi. The exhibition, which is free-of-charge, is open from 10 am until 10 pm daily with the exception of Mondays when it will be closed.-TradeArabia News Service
Cool, for me it is already approved to be built as museum. Maybe that one should be in the thread the most futuristic bldg in your city, I mean the most future one in Abu Dhabi. Unfortunatly when i stayed in Al Hamra Fort and visited Dubai in one day, Abu Dhabi is too far by the highway to be reached and i could not visiting it and knowing the Emirates Palast and other amazing structures overthere. Maybe in other day when i will go again and should be a must visiting the new Dubai towers I will go there. Nice at all. 
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